| Event Description |
In AS THE SUN WOUNDS THE SHADOWS, Nathan Storey presents various bodies of work, such as Traces and Stains, that propose printed matter as a facilitator, witness, and residue of gay desire. Storey's artistic practice explores the intricate relationship between printed materials and queer memory, collectivity, liberation, and loss. Words and images are printed, photographed, re-printed, re-photographed, collaged, and so on, recontextualizing gay and queer materials from collective and personal archives, blurring but not erasing the seams. – Dillon Chapman |
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